Rhythmically boppy with unexpected chord changes and thick strands of textures, the UK’s Philip Clouts Quartet is accessible and joyous. As an example, the song “Umoya” shows its optimism with an ever-present sax noodling throughout, piano subtly giving it a foundation, and multi-dimensional rhythm urging us forward. The joy is easy to spot. Frontman Clouts’... Continue Reading →
You must be logged in to post a comment.