Sparkling Prose from the Body of a Small Guitar

Full of motion and skilled finger work, Harry Edwards’ jaunty gypsy jazz is irresistibly fun. The Hobart (Tasmania, Australia)-based guitarist has a swinging trio-turned-quartet (earlier trio is pictured) that continues to thrill with original tunes. Even slower tunes like “From Marjorie” add the sweet strum between measures while providing unusual chord changes to keep it... Continue Reading →

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