Beverley Beirne takes a pocketful of iconic 1980s songs and suw-ings on them like a woman commandeering a runaway train. Remember “Too Shy” [hush hush, eye to eye]? With vocals that are anything but the pedantic presentation of prose, Beirne’s style is a rap-like scat that skitters and runs and makes its own way. “Noize”... Continue Reading →