Deep, operatic and reminiscent of the early smoky jazz clubs, Mimi Hart launches “My Funny Valentine” with the dark and minor Shakespearean intro not often heard. Relaxing into the relief of a major key, she adds tumbling piano riffs followed... Continue Reading →
There’s a “laggy” feel to Tommy Andrews’ “Crystal Car.” His alto sax soars wide and lazy like a bird that’s in no hurry. And there’s a certain held-back quality of “Toscana,” where the keys are rolling in the background.... Continue Reading →
