You start with a hot little hook and invoke a tiny rhythmic homage to Sonny Rollins’s “St. Thomas” – how can you go wrong? James Brady jumps into his “Everybody Has a Plan” with a masterful trumpet, accompanied by fantastic grooving from the bass (Edwin Ireland), light-as-air percussion by Matt Parkinson and a joyful harmony... Continue Reading →
They say energy is neither created nor destroyed. These people never saw Robin Phillips perform. The creation of a tornado’s worth of musical force is one of the natural wonders of the scene, a treat to all who are lucky to be exposed to this multi-dimensional musician and his amazing band members. A few of... Continue Reading →
Effortlessly, Sam Braysher breathes life into his alto and makes the Great American Songbook sparkle and shine. He brings a light and sure touch, swinging here and bending there, giving each phrase just enough force to lead into/lead away from the piano, which is played with amazing sensitivity and artistry by Michael Kanan (at left,... Continue Reading →
Sweet as honey with the clarity of a sunny morning, “They Say” is Monika Lidke’s bluesy tale of undeniable love. Even when friends warn you about the dangers of getting your heart broken, it’s a pit you willingly fall into. Her voice here is whipped light, like lace; the melody dances off into the air... Continue Reading →
Rhythmically boppy with unexpected chord changes and thick strands of textures, the UK’s Philip Clouts Quartet is accessible and joyous. As an example, the song “Umoya” shows its optimism with an ever-present sax noodling throughout, piano subtly giving it a foundation, and multi-dimensional rhythm urging us forward. The joy is easy to spot. Frontman Clouts’... Continue Reading →
