Debbie Burke has published her sixth book, this time about klezmer. While her books are primarily about jazz - both fiction and nonfiction - this time she's reached way back in her family tree more than a hundred years ago to muse about her paternal grandfather who came from Lvov. What music would her ancestors... Continue Reading →
Lyle Mays Composes a Sunrise; “Eberhard” Single Released Posthumously
An incredibly luscious, stirring song whose ambience is delicate and nuanced, all 13 minutes of the new song “Eberhard” from recently passed pianist/composer Lyle Mays are like a much-anticipated train excursion through picture-perfect landscapes. The breadth of instrumentation adds to the journey as the listener is treated lovingly with a softly intricate sax solo, flavorful... Continue Reading →
Sam Thornton’s Intergalactic Brasstronauts Leave Scorched Earth in “Music for the People”
Imagine a vibe that evokes dubstep, reggae, Dixieland and big band and you have a sliver of a glimpse of the Intergalactic Brasstronauts. Leader and sax player Sam Thornton and his band have a new CD called “Music for the People” which is best described as a huge, screaming heap of fun. An incredible 16... Continue Reading →
Sonic Inventions Soar in Nazareno Caputo’s New CD “Phylum”
The value of space between notes that are placed perfectly into a fascinating tonal tapestry is the strength of the new album “Phylum” by vibist Nazareno Caputo. The track “Dulce” is so much like skipping stones with unexpected harmonies and shifting rhythms, and the interplay between vibes and percussion is pure play. Soft, gradual, mysterious... Continue Reading →
Klezmer Continued, with Benjamin Sutin of Klazz-Ma-Tazz
Benjamin Sutin is a jazz/klezmer violinist, composer, educator and founder of Klazz-Ma-Tazz who finds both jazz and klezmer inspirational. He is a leader and sideman who has played venues including Dizzy's Club Coca Cola, the Lincoln Center's Appel Room, the Apollo Theater and many others. For more info on his band, please see the new... Continue Reading →
As If Classically Composed: Artful New Album from Andrew Woolf, “Song Unsung”
In his debut as a leader, sax and clarinet player Andrew Woolf’s “Song Unsung” makes a huge splash. The title song begins almost with an orchestral feel; as if the sax’s double-reeded cousin, the bassoon, is there instead, cracking open the scene with a mournful declaration. The harmonies have a distinct Copland-like feel, a bright... Continue Reading →
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