The latest on GLISSANDO: A Story of Love, Lust and Jazz
In “Character Study,” Canadian-born sax player (now stateside) Andrew Rathbun leads a serious quintet that cooks a multi-course meal and serves it jumping around, ladling mind-blowing flavors on every plate. While his lone sax thoughtfully breathes an undeniably gorgeous melody... Continue Reading →
There is spark, spirit and affirmation in the music of Ben Paterson, whose command of piano and organ is an amazing treat for the ears. Jauntily upbeat, “I’m Old Fashioned” and the glissando-laced “Isn’t She Lovely” showcase Paterson’s sense of... Continue Reading →
E.J. Decker sings out in a stunning baritone most of the time, but here he opines on the Winter Jazzfest that took place in New York City in early January. Promoters, organizers, future attendees: take note and take notes. Was... Continue Reading →
The slickest groove possibly ever comes from an original song by Michael J. Thomas called “Baby Coffee.” Thomas croons into the sax, giving it a suggestive throatiness while positivity floats over the melody, making it like audio crack. The hyper-energetic... Continue Reading →
Subtly sailing along in a way that elicits an all-over feel-goodism, the title track for Yaniv Taubenhouse’s new CD, “Perpetuation,” glows like a welcomed candle in the dark. Taubenhouse (trained in several instruments but ultimately drawn to piano) has written... Continue Reading →
The academic teachings that go into the career of a symphony orchestra musician only whet Peter Kogan’s appetite for something much more freeing…like jazz. The former Assistant Principal of Timpani and Principal Percussion of the Pittsburgh Symphony has continued in... Continue Reading →
Against a backdrop of city sirens that open the piece “Blue Prelude” Lolo Irving springs into a high dive and hits her target with a sax that cries out with increasingly assertive statements. What a way to grab your face... Continue Reading →
There's a unique timbre to Gaby Paul’s voice that makes it hard to describe; rich and sweet but with layers of character, like burnt caramel. At its core is a titanium-strength midrange and depth, but it can easily shoot to... Continue Reading →
Versatile, musically immersed and bursting with a backlog of material yet to be released, tenor sax player Peter Sparacino says it’s because he came late to the party. His incredibly productive catch-up scheme has him in two ensembles: one, called... Continue Reading →
